Pan’s Labyrinth makes Ofelia’s claim to a hidden kingdom depend on three tasks

A small figure stands before a glowing opening in an immense tree on a blue forest poster with gold lettering.

A faun’s account of her identity creates a second set of demands alongside life at her stepfather’s military outpost.

Ofelia’s possible royal identity comes with conditions. In Pan’s Labyrinth, a faun tells her that she is a lost princess, but returning to the throne requires completing three dangerous tasks. The hidden world she encounters asks her to act on that claim. Fathom’s official story synopsis.

A small figure stands before a glowing opening in an immense tree on a blue forest poster with gold lettering.
Twentieth-anniversary theatrical poster for Pan’s Labyrinth, from the October 2026 campaign. Supplied by Fathom Entertainment and Cineverse. © 2006 Estudios Picasso, Tequila Gang, and Esperanto Filmoj. Image source.

Guillermo del Toro places the story in Spain in 1944. Ofelia, played by Ivana Baquero, moves to a military outpost controlled by her stepfather, played by Sergi López. Her discovery of a labyrinth introduces the faun and the possibility of a life beyond that household.

The two settings give her different sources of authority. Her stepfather governs the outpost; the faun supplies instructions connected to the kingdom. The premise puts a child between those demands without making the discovery of another world a simple resolution.

The twentieth-anniversary presentation also changes the film’s exhibition formats. Fathom and Cineverse identify a 4K restoration and new 3D and HDR presentations overseen by del Toro, with SDFX Studios handling the stereoscopic conversion. Those are changes to how the existing film is presented, rather than a new story about Ofelia. Fathom and Cineverse’s restoration specifications.